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Analogue October Records proudly presents the definitive vinyl reissue of Neil Ardley’s groundbreaking 1976 album Kaleidoscope of Rainbows. Widely regarded as Ardley’s magnum opus, this transcendent suite blends jazz, classical structures, and modal improvisation into a luminous sonic journey inspired by the colors of the rainbow.
This vinyl reissue of Neil Ardley’s Kaleidoscope of Rainbows was mastered from the original analogue 15ips master tapes and were entrusted to renowned mastering engineer Miles Showell at Abbey Road Studios, who delivered a half-speed master cut with breathtaking clarity and depth. This meticulous process reveals new dimensions in Ardley’s compositions, unlocking textures and detail that have remained hidden for nearly half a century.
To fully preserve the astonishing dynamics captured on the original tapes, the music has been presented across two LPs, giving the suite the space it needs to breathe. The result is a pressing that brings Ardley’s vision to life with unrivalled presence and nuance.
Pressed with precision at Record Industry in the Netherlands, this reissue ensures the highest possible fidelity, pressed to perfection. The visual and tactile elements have been crafted with equal care: Selsey Press returns to deliver beautifully printed sleeves and inserts, setting a new benchmark for our reissues.
Lovingly produced from the ground up by Craig Crane, this edition makes use of the original four sheets of CMYK film elements for the sleeve art — no scans, no shortcuts. Eighteen months in the making, every detail has been approached with the utmost dedication. This reissue not only expands the Analogue October Records catalogue but continues the label’s momentum, spurred on by the white-hot reviews of our first two reissues from both the audiophile community and the wider music press.
Inside, you’ll find a lavish 12-page insert that expands the experience into a magazine-style chronicle of the album. Jazzwise editor Mike Flynn provides an authoritative essay tracing the history and significance of Kaleidoscope of Rainbows. In addition, Miles Showell contributes his own reflections on the half-speed mastering process, detailing both the artistry and the challenges of working with magnetic tapes that have survived nearly fifty years.
Commissioned by the Arts Council of Great Britain, Kaleidoscope of Rainbows was first taken on tour in 1975, culminating in a landmark performance at London’s Queen Elizabeth Hall later that year. Following the tour, Neil Ardley reworked the material to better suit a studio setting, shaping the suite into its definitive form. The album was then recorded at London’s Morgan Studios, engineered by Martin Levan, and released in 1976 on the legendary independent label Gull Records.
Structured around the seven colors of the rainbow, Ardley’s suite creates a musical spectrum that shifts seamlessly between pastoral beauty, explosive improvisation, and cosmic exploration.
The recording brought together a remarkable ensemble:
Ian Carr – trumpet, flugelhorn
Barbara Thompson, Tony Coe, Brian Smith, Bob Bertles – saxophones and woodwind
Geoff Castle – keyboards, synthesizers
Ken Shaw – guitar
Roger Sutton – bass guitar
Paul Buckmaster – cello
Roger Sellers – drums
Trevor Tomkins – percussion
With Ardley himself at the helm, weaving synthesizer textures into the arrangements, the result is an expansive suite that is both cerebral and deeply emotional — a crowning achievement of 1970s British jazz.
This mid-December release will be available as a strictly limited, hand-numbered edition of 1000 copies worldwide. Expanded to two LPs for maximum dynamics and mastered with meticulous care, it offers the most faithful and revealing presentation of Kaleidoscope of Rainbows ever pressed to vinyl.
To find out more about Neil Ardley, check out www.neilardley.com
| Weight | 0.942 kg |
|---|---|
| Dimensions | 30 × 30 × 2 cm |